Sir Ken Robinson defines creativity as “the process of having original ideas
that create value”. He reiterates that it is a process and not a
random act of inspiration, and that it needs to prove its worth. He points out that creativity is not the opposite to formality – instead a
mixture of discipline and space to innovate are required. Robinson contends that
“creativity is as important as literacy and should be treated as
such.” Our schools are currently designed, like he said, in a
hierarchy, in which specific skills, namely math and languages, are
valued over others.
Sir Robinson mentioned a couple reasons why
having this hierarchy is ridiculous:
The purpose of education shouldn't be to get into college.
Believe in high standards does not mean education has to be standardized.
We don't need to reform education -- we need to transform it.
Creativity is a part of not apart from intelligence.
We don't grow in to creativity, we get educated out of it. One of the reasons why an academic hierarchy is ultimately futile is because people cannot accurately assign value to skills that may or may not be valuable in 30, 20, or even 10 years. If we cannot accurately assess what skills children will need for the future- how can we place a value or emphasis on any particular skill now? Sir Robinson further ridiculed the stress we place on children to be right and not make mistakes. Children, and people in general, need to be willing to make mistakes in order to create an innovation. In fact, some of the most well-known products (penicillin, coca-cola, etc) are the results of what was initially a 'mistake.' This all-out rejection of mistakes stifles creativity, perhaps, more than any one factor in our schools and in society.
By finding new ways to praise children’s efforts and ideas, and less ways to assess them on their mistakes, we will embrace the initiative to rethink the fundamental ways we educate children in the context of their endlessly, vast capabilities.
There are several points in Arne's Duncan's speech of which I dissent, however the overarching purpose: a plead to realize the urgency through which educational reformation must take place, is immediately and timelessly relevant.
“By almost any standard,” Duncan told a Columbia University audience of students, teachers, and faculty, “many if not most of the nation’s 1,450 schools, colleges and departments of education are doing a mediocre job of preparing teachers for the realities of the 21st century classroom.” While this statement is unequivocally true, Duncan's failure to state what specific component is 'mediocre' renders the potential effectiveness of the statement itself-at best mediocre. The abstractness of this earlier, 'mediocrity' claim is indicative of the circumlocutory speech that merely calls for, rather than offers a solution. Duncan does, however, reference what he considers 'pristine' models of schools of education. The shared characteristic that contributes to each of these programs' effectiveness is the central emphasis of a practicum or field experience.
To this end, I consider myself blessed to be a part of an equally propitious program- Mississippi Teacher Corps. Being able to immediately introduce the practical components of 'Advanced Methods in English' to my seventh grade class only two days after receiving instruction, both actualizes coursework and prevents instruction from becoming at all theoretical. Taking this course in preparation, rather than in conjunction with teaching would not have rendered the same lucrative advantage.
In especially the 21st century, teacher roles and responsibilities are ever-more demanding. At a time when teachers are required to not only instruct, but moreover be TST coordinators, committee coordinators, parent-teacher coordinators, behavior incentive activity coordinators, academic and behavior interventionists, as well as psychologists and/or (at times) social workers, not to mention literacy and exceptional education specialists - preparation today needs to require students to teach while receiving training. Preparation should include training in how to differentiate instruction and how to provide advisory services to students. The best training in this type of individualized education is not conceptual, but rather requires the teacher to regularly implement and actualize differentiated instructional practices with each of their students.
Critics of teacher preparation programs say that current teacher-training programs are too heavily steeped in theory and not useful in the classroom. They say that those who teach in schools of education are clueless about how to reach children with dyslexia, attention deficit disorder, Asperger’s syndrome or other learning challenges. To this end, Duncan understands that the only way to evaluate a teacher-training program is to look at how the teachers perform once in the classroom; the only way to do that is to measure how the students are doing.
With so much scrutiny aimed at measuring student performance from kindergarten to high school, many education schools never get around to asking the high-stakes questions about how well teachers are doing in their profession, where they received their training, how much they learned, and what can be improved. Until we start scrutinizing this part of the process, and look at who is teaching the teachers, we’ll never empower students to reach their academic potential and create a workforce that is globally competitive.
though i think arne duncan's speech on "teacher colleges" was pretty well-crafted, i don't know if i truly still understand the concept of a teacher's college. before i get into explaining why perhaps the most important thing could be to fund these institutions, i think i need to see if i actually believe in what they are aimed at doing.
In response to: this speech.
I am really happy I chose an alternate-route program. I can’t help but think how horrible it would be to spend four years learning what we learned in a couple classes over the summer. I have learned to teach the way I learn best: being thrown into something and having to play guess and check until I get it right. I still haven’t gotten it right, but I don’t feel like the things I’ve gotten wrong are things I could have picked up in a classroom setting where I wasn’t at the front of the room.
This speech claims that education programs aren’t adequately preparing their students for real-world teaching positions. A society where the most needy students are taught by either the worst or most un-prepared teachers is only perpetuating our country’s public education problems, and it is embarrassing and pathetic. A realization of this as a national concern is a crucial step that many have not taken. The idea of education as “the civil rights issue of our generation” is why I became so passionate about teaching in a critical need district. The status of public education is a problem that a) no one knows about, and b) no one is fixing. I would forever feel guilty if I was given the opportunity to make a change and passed it up.
That being said, I can’t help but question my own performance as a teacher. I am doing the best I can, but what I have seen is that the students in our schools don’t need first-year teachers that barely know what they’re doing, despite the enthusiasm and creativity that the baby boomer generation teachers may lack, they need the best of the best to come in here and lead a major reformation in our small schools. These students need more than they are given; I think this everyday.
At the same time, this speech evokes a sense of urgency and a sense of possibility; this is step one. Step two–action, a bit more difficult, but it can happen. Despite how deep in the mud so many of our communities are, people like us recognizing the problem and working toward a solution is a step in the right direction. I may not be great now, but I want to be.
...once again, mixed feelings toward EVERTHING down here. This has been a reoccurring theme. (see below post)
On another note, I like the quote this speech ended on: "A teacher affects eternity—he can never tell where his influence stops."
I think I will post this on my desk.
In response to: this!
I have days where I feel really good about teaching. I feel like I’m good at it, I feel like my kids have learned something, and I feel like I’m making the impact I came down here to make. This feeling is usually on a Monday or a Tuesday.
Early in the week I’m always fully-planned: I have the most energy, my lessons are the most creative, and the kids aren’t too tired of the week yet. By Friday, I don’t know why I’m here. By Friday, my class has failed the quiz I have just given them and made me feel that I wasted my whole week because they didn’t learn anything. By Friday, I don't want to be at school and I count down the minutes more than my kids do; I feel useless. It happens every week.
Much of Pete’s speech is about the impact we make in the classroom, and the fact that we’re making an impact even when we don’t feel like we are. This is something I have had to continuously remind myself in order to not get discouraged in this job. Pete talks about how one of the most challenging aspects of teaching is coming from a background where if you work hard enough you will get want you want, but realizing that there is no formula for getting what you want out of teaching. Sounds like a Friday.
He speaks of the frustrations unique to our situation. One frustration I didn't expect–the ambiguity that comes with everything; specifically measuring my progress. If my kids fail, then I’m not sure whether I failing them for not teaching them well enough, or doing a good job for pushing them. If the students say I’m an “excellent” teacher, even though they don't have "excellent" grades, does it mean that they really think I’m a good teacher or are they confusing “excellent” with “easy” “fun” or “cool?” Is it even a compliment for a kid to tell you you’re in excellent teacher? I almost feel like I'm clueless at how to gauge things. If my principal never talks to me does that mean I'm in the clear or that he doesn't like me? These unexpected concerns are weird things I feel I only have in common with other people in the program.
Pete speaks highly about the high caliber of people that join the teacher corps. My experience has been similar. My class is made up of some of the most diverse yet most impressive people I have known. They are kind, quirky, and have made me love a state that I never thought I could enjoy in the least.
I really like it though. I like the state, I like the school, I like the program and I like the people. These annoying obstacles and the challenge behind everything is the reason I came down here. I am very appreciative to be where I am right now, so I can’t say Pete’s speech was the eye-opener I needed or anything, but it was definitely a nice reminder.
Terrance Buckner is a teenager from Brooklyn and a graduate of the mothshop which seems to be some sort of creativity workshop where people get together and tell stories and read poems and the like. Anyway Terrance decided to share with an audience at the moth shop his experience of persecution when he first admitted he was gay to his family and classmates. Terrance tells a story where he admits to his mother that he is gay(because he feels she needs to know) and his brother finds out. His brother pronounces this the next day at school and people start questioning Terrance on his sexuality, to which Terrance admits he is homosexual. He then faces ridicule from friends and classmates and gets jumped after school. The next day Terrance decides to stand up to the bullies symbolically by wearing his "skinny" pants, sending the message that the bullying was not going to defeat him. In the end, Terrance feels he has won because he didn't let the bullying change who he was.
The story as a whole was a pretty stereotypical gay bullying story and its too bad that it happened. Unfortunately apart of being homosexual is being different(in terms of sexuality) from most of the population and kids pick on other kids who they deem as "different" or "wierd". Even though homosexuality is far more accepted now than it was in the past, the very nature that homosexuals make up a relatively small percentage of the population means that gay kids will always receive some ridicule or persecution from the peers, although this decreases with age.
As far as the story's relationship to teaching and education I suppose the moral of the story is to know who to trust, don't gossip, don't ruffle feathers, and always be yourself. Don't ever let others' negativity prevent you from being who you are and becoming the best person you can be.
First, we're happy to announce that the team has identified and fixed the issue with the YouTube conduit; you can now find and add videos from YouTube to your library and posts. As always, thanks for your patience!
The other news we have today is about a new addition to the Six Apart family: TypePad Micro, a new free level of TypePad that is streamlined for microblogging. We see a new form of blogging emerging that lives between the quick status updates of Twitter and Facebook and the long-form posts of "classic" blogging; TypePad Micro is designed to meet that need. You can read more about TypePad Micro in Chris Alden's post on the Everything TypePad blog.
A lot of the new capabilities we've added to TypePad this year were actually inspired by some of the best things about Vox: favoriting, member profiles, a dashboard to follow other bloggers, and easy ways to post content from other social media sites. But the things that make Vox different from TypePad are still there: Vox has always been -- and still is -- the best place for "friends and family" blogging, where you're in control over who sees what. TypePad, on the other hand, is built for the blogger who wants, no, craves, attention.
Do you have a passion or interest you want to share with people beyond your Vox neighborhood? If so, we'd love it if you tried out TypePad Micro. Maybe you've always wanted to start that obsessive blog that's just about waffle restaurants. Or want a place to share videos of your favorite band (Jonas Brothers, anyone? Anyone? ...). TypePad Micro's great for those topic-specific blogs. Take it for a spin and let us know what you think.
On the Vox front, our designers are working on some cool new themes (coming soon!). We'd also love to hear your thoughts about where we should take Vox in the coming year. What are the key things you'd like to see for Vox? If you've had a chance to use TypePad this year, what are the features there that we should bring over to Vox? And, if you're thinking big thoughts, how could we connect the Vox and TypePad communities in order to bring together bloggers and their shared passions? Your feedback is really important to us, so please leave a comment here, or shoot me a message.
And again, thanks for your patience as we found and fixed the YouTube bug!
~ daisy
The Rita Bender discussion was very interesting. First of all, I am absolubtely fascinated with American history. My grandfather was a civil war buff and collected old civil war antiques and would show me them from time to time. He also kept extensive historical data on my ancestors. He actually wrote a book documenting family trees and biographies on every ancestor of mine dating back seven generations. So needless to say, I was immediately hooked when given the opportunity to view actual excerpts from historically used textbooks. Its' so much better to recieve information from a primary source, and you really got to learn a lot about Mississippi culture at the time by viewing those documents. It's one thing to hear about past racial attitudes, but its quite another to actually be able to hold and view original documents of the time. Its' easy to see how so many people of the time grew up with racial bias as it was being blatanly taught in schools and without black and white school integration it was easy for the ideas expressed in the book to be accepted without question. Also the damage that the text may have had to the psyche of black schoolchildren is forseeable.
The questions in the essay contest also highlight significant racial bias and it was eye opening that that was being ingrained in Mississippi youth in the 1950's. Overall, the documents taught me more about Mississippi's racial history than anything I have heard since arriving. Again this goes back to being given actual education documents that were ditributed in the past to Mississippians.
The discussion itself was less educational than the historical documents and turned into more of a heated regional battle among MTC'ers with native northerners making broad unfair generalizations about the south and native southerners making unfair broad generalizations about New England.
The day concluded with an argument about whether a teacher who was teaching in a predominantly black school who had a stuffed monkey in her room was an ignorant racist(or something to that extent). Honestly I think we should be past the point where anyone associates black people with monkeys and I think the idea that someone would make that association was completely lost on the teacher. I don't think it was a big deal either way, but if it bothered one of the parents then it should be removed so the class can move on.
As many of you have noticed, the YouTube Conduit is not working. I am so sorry about this; I know how frustrating it is.
The team is looking into how to get this fixed and I will update you as soon as I hear something. In the meantime, not all is lost... There is a work-around for posting videos.
When you're in the Compose Screen, just click on "embed." Ignore the fact that it says "Widget" before everything because you can definitely use this to embed videos as well. You'll just need to input the embed code from the video, enter a title (if you want) and hit OK.
It might not show up perfectly in your compose screen, but when you hit "Save," your video should appear just the way you wanted it to.
Hopefully this will allow you to keep posting videos while we figure out what's happening on our end.
As always, thanks for your patience.
No, it doesn’t have to. No matter how constrained a teacher is, I’ve determined that school does not have to be a creativity killer. To apply some ancient, wise words (2 Corinthians 4:8-9): “We are hard pressed on every side, but not crushed; perplexed, but not in despair; … struck down, but not destroyed.” In other words, NCLB and the obsessive, accountability-driven administrative directives it begets cannot single-handedly kill creativity in the classroom. Sure, state tests “stigmatize failure,” as Ken Robinson states. Teachers, though, do not have to stigmatize failure.
Take a measure as simple as rewarding students for non-academic feats, for instance. Awarding Student of the Month to the most spirit-lifting comedian in the classroom validates him as much as a good grade. Teacher-initiated rewards address and negate Robinson’s contention that school only the intellectual successes at school are the winners. He contends that “the whole purpose of public education …is to produce university professors. … We shouldn’t hold them up as the highest form of achievement…they live in their heads.” Nay! The purpose of school is to make something productive out of young peoples minds and hours. Sure, there are ugly class wars circling around how those minds and hours are spent. But ideally, school is for producing more productive (emotionally, spiritually, vocationally --- not merely intellectually) members of society. School is where students have training wheels for how to function as adults. It’s a mini-society. I think Robinson would be a huge fan to Rousseau’s anti-social, child-centered vision of education. Unfortunately, as pastoral and sweet as this vision is, it falls short of what humans were created for: to serve and better each other.
No, schools do not “squander” the innate creativity in children wholesale, as Robinson overconfidently asserts. Schools are the environment in which time is set aside for creativity to be required. Without the structure of school, creativity wilts. Robinson is right to point out the paradoxical nature of creativity, such as that we do not mature into creativity, but rather we outgrow it, but he misses this important paradox about it: creativity needs structure just like fire needs oxygen. Without the push and the constraint to fuel creativity, or the probing questions of the teacher, or the small encouraging remarks along the way to the final creative product, a child’s creativity will be stifled. Also, in a school functioning properly, in which reading aloud and extolling reading should be a daily activity, the imagination will find no lack.
As to Robinson’s allusion to Picasso’s quote that we grow out of creativity, neither do I fully agree with this. Older children (teens) can use colors, tweak words, arrange sounds, plan projects and papers and speak more eloquently and purposefully than their younger counterparts. Who has the authority to say that creativity with more direction and eruditeness is somehow weaker than the innocent creativity that streams from a little mind? Classifying creativity in an hierarchy (eerily akin to what NCLB test standards do—classify schools and student achievement) and judging creativity as “the production of something both original and useful” (paraphrase) is rather utilitarian itself. Robinson defines creativity to uptightly, I’m afraid.